MUNROE BERGDORF

We spoke with activist Munroe Bergdorf, who uses modeling as a platform for social change, about the need for diversity, unification, and the source of fear within the modeling industry and beyond it.

Munroe turned heads a few months ago after being hired and subsequently fired as L’Oreal’s “Face of Diversity” after sharing her opinions on racism through social media, which received mixed reactions. In the aftermath, we checked in with Munroe to gain insight into her experience, and about the critical and prevalent issues surrounding it.

Interview by Carol Civre, Photography by Thom Kerr

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CC: Can you tell me a little bit about yourself and why modeling is important to you?

MB: Primarily I think I see myself as an activist rather than a model, modeling is what gave me this platform that I now have to speak about issues that I feel are too often pushed aside or shied away from. Providing visibility for transgender women especially transgender women of color is also very important to me because growing up I just didn’t have those role models look up to. I didn’t have a Carmen Carrera or an Isis king or a Leyna Bloom, so when I look out now into the fashion industry and there’s more trans girls repping from all sorts of ethnicities and and backgrounds it’s really exciting to see.

 

 

CC: You’re an outspoken activist. What would you say drives this characteristic (whether it be your personality, upbringing, friends, etc.)?

MB: I think I’ve always been a very inquisitive person with why the world works in the way that it does and why it works in the favour of some people and not for others. I refer to myself as a social activist because I like to think of myself as an Ally to anybody who is experiencing oppression purely because of who they are. I like to surround myself with like minded people who also challenge injustice, but who also challenge me to open my mind further. I think I’ve always been a highly empathetic person and that’s really all that activism is a heightened sense of empathy and compassion put into action.

CC: What place in society do you think modeling holds? Overall, do you view it as a positive or negative platform?

MB: I think that modeling and the modeling industry are two very different entities. I feel that the modeling industry can at times perpetuate harmful beauty standards and enforce unattainable body ideals. But at the same time it can also provide models with a platform where they can really make a difference. This is where brands really need to start stepping up and allowing the models or influencers that they cast in campaigns a voice, so that we can really start changing how the fashion industry works for the better. The fashion industry and the beauty industry aren’t going anywhere and they don’t need to, but they really do need to start being more inclusive, sustainable and ethically conscious.

CC: You were cast as “the face of modern diversity” for L’Oreal. Do you think that title is problematic, to begin with?

MB: I think that was a tag line that the British press came up with – and yes it’s highly problematic because there is no one face of modern diversity. Diversity doesn’t have a singular face. People are continuously over-complicating what diversity really means. All that means is that everybody has a seat at the table, everybody feels represented, everybody is given an equal chance and an equal shot. Brands continuously overthink this in trying to make it marketable product, but in doing so they end up alienating and offending the audience that they’re trying to sell to.

 

CC: On a larger scale, do you think the idea of activism is more “trendy” than it is effective? By that I mean; a lot of people want to believe they are activists and that they are helping but is this idea a selfish one? What’s the difference between being an activist because you want to feel good about yourself versus being an activist because you actually want to help other people?

MB: I think ultimately if activism and corporate brands are to work together, it has to be organic. Brands need to actually allow the people that they are putting in front of the camera to express themselves and to speak their truth. It can’t just be the people in front of the camera that are diverse, the crew also has to be as well. Also it’s extremely important that diverse consultants are hired to check and advise on the product before it is released to the public consciousness.

CC: Are there any companies that you feel are progressive when it comes to speaking out about social injustice?

MB: Absolutely! We’ve seen Rihanna completely shake up the beauty industry with the launch of Fenty Beauty, catering foundation shades to women who up until now the industry has overlooked. As well as companies such as Illamasqua who continuously lead from morals, rather than greed.

CC: Disagreeing with your superiors, particularly as a young professional, can be intimidating. What advice can you give other young models and creatives on how to bring up either injustice they see happening in their industries or just how to disagree with someone in a position of power?

MB: I would say that activism can be as large or as small as you feel strong enough or able to take on. But also bear in mind that the more of us that raise our voices in a unified manner, the more we pull together as a community, the more change we will see. Change requires sacrifice, so for that to happen more models need to get their hands dirty.

CC: What is your hope for the modeling industry? Where do you see the industry in ten years?

MB: Hopefully in ten years the industry will be truly diverse when it comes to representation and inclusivity. With the way that society is changing, I don’t think that it will stand a chance if it doesn’t keep up with the times. People don’t want be sold outdated ideals.

 

CC: Who are some of your greatest role models and why?

MB: I grew up idolizing models like Naomi Campbell, Iman and Tyra Banks. I have a lifelong love for Cyndi Lauper and Courtney Love. My role models now? Laverne Cox, Maya Angelou and Oprah.

CC: Do you think speaking your mind with the possibility of angering or hurting someone is better than being silent?

MB: A lot of what I say angers people and really we need to look at where that anger comes from. Speaking about racism should not make white people angry for the simple reason that it doesn’t affect them. All of us born into western society have been exposed to both subliminal and overt bias that centers male, heterosexual and cisgender narratives as the default and the priority. None of us are above socialization unfortunately, however we can begin to unlearn these narrative and actively work against them thriving institutionally and systemically.

CC: Did any positives come out of this experience? Did it provide you with any opportunities that you otherwise don’t think you would have come across?

MB: Absolutely, from getting out there and speaking on panels, speaking at universities and events, I can see that people recognize the need for change. The amount of white people who come to my talks with the intention of furthering their understanding of racism also makes me feel hopeful about the future.

CC: What does the future hold in store? Is there anything you’re working on that you’re particularly excited about?

MB: Right now I have a number of television and book projects in the works, so we’re just refining the ideas before we get stuck in. Documentary is something that I’m hugely passionate about. I have an accessory campaign launching worldwide next month, we shot it in LA last month, so I’m super excited about that launching.

 

Photographer: Thom Kerr

Stylist: Lisa Katnic

Makeup: Miriam Nichterlein